Aussie quintet Operator Please are devastatingly adorable, very stylish, and they’re calling you to give away their new single, “Logic.” While their 2007 debut, Yes Yes Vindictive didn’t break them in North America, they built up a solid following in Europe, Asia, and home down under. Since then, OP has grown up a little. They’ve spent the last half of 2009 working on (and self-producing) Gloves, their second disc. If you need context, on “Logic,” Vocalist Amandah Wilkinson sounds like a more stable Beth Ditto and a more sincere Tahita Bulmer (of New Young Pony Club). They have a kinda garagey electrosass thing going on – without being obnoxious. This is a band you might actually like to hang out with. The single can be copped from their site (you have to fill in your name, email, fave color, etc), and the album drops in late spring. There are no northern hemisphere tour dates at the moment, but if you’re in Oz for any of the Future Music fests, they’ll be at ‘em.
A synth-pop quartet from the London exurbs isn’t so unusual these days (presumably… we have not evidence of this), but Fenech-Soler have caught the ears of Alan Braxe and Annie Mac as well as Groove Armada. With GA back in the spot on the cusp of their new album’s release, they’re bringing their collaborators up with them. F-S feature on “Paper Romance,” by Groove Armada (premiered last week on BBC 1). Supposedly they’ll be touring North America this year. In the meantime, watch the video for “Lies” below and check their ish out on their ‘Space.
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If you have a few minutes at your computer and want a some nice tunes to accompany your blog reading, or online banking or exotic bird trafficking, take a stroll on over to Kristina Train‘s label page where her entire album is streaming for free. Train is a white girl that sings like some of those other white girls who sing like sistas. So yes, comparisons to Duffy are apt (her MySpace cites Duffy’s idol Dusty Springfield as an influence), as are any comparisons to Norah Jones (they’re both on Blue Note and they look related). Also, Train’s Spilt Milk is produced/co-written by Jimmy Hogarth (who worked with Duffy, Adele, KT Tunstall, Estelle) and Eg White (who worked with Duffy, Adele, Sam Sparro, Daniel Merriweather).
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The Golden Filter have spun hey into heady disco gold on several tracks and remixes released over the last year or so. They take a more downtempo, space age approach to disco revivalism than some of their peers. In fact, on their remixes of Cut Copy’s “Far Away,” Little Boots’ “New In Town,” and their own “Favourite Things” (featured on the Kitsuné Maison 7 comp), they sound like they’ve dropped some tabs before standing under a strobelight. We love it! In the last year the pair of Stephan and Penelope (no, we don’t do last names here, thank you) have evolved considerably from their first single, “Solid Gold,” and each new release is a little disco dusted treasure. Their DJ set tonight at Avalon in Hollywood for Control won’t disappoint. Free the Robots and the Casual Touch are also on the bill.Get acquainted with their work below, and send an email to ‘ear @ soundbleed.com’ to win a pair of passes to the gig.
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Everyone has been drooling all over themselves to break the news that Kid Sister‘s debut album, Ultraviolet, will finally be coming out. But until we see that baby on the shelves, we won’t get hung up on any “release dates.” Instead, we’d like to compare the to-be-released album with the was-going-to-be-released version from last year. The album originally titled Dream Date was so good, we couldn’t imagine how Kid Sis wanted to improve it. But by shelving some of the midtempo tracks and matching her previously successful singles with more dance-friendly tracks, we get it now. Ultraviolet’s lead single, “Right Hand Hi” is produced by half of the Swedish House Mafia, Steve Angello and Sebastian Ingrosso. It’s not only an unexpected pairing – they don’t really do tracks for other people, let alone hip hop artists – but it’s fucking awesome and you can download it below. After the jump is a side by side comparison of the album that will be and the album that never was.
Colin Munroe is the epitomie of (North) American reinvention. Once a folk-pop singer songwriter from Toronto, Munroe covered Kanye’s “Flashing Lights” and has since been inducted into the storied halls of white boy hip hop hook-singers. Those early acoustic tracks have been scrubbed from his MySpace, but Munroe is certainly more than a hook singer too. Calling himself The Unsung Hero, Munroe is also an electro-hop DJ of sorts too, with a pretty sick mixtape that he gives away for free. You can check his vocals on the new track from Bun B and Talib Kweli, “Don’t Die,” below and you can download that mixtape here.
While he inked a deal with Universal Motown nearly a year ago, and released a string of singles, so far there is no release date set for a Munroe full length. Most of the singles are on the mixtape, including his cover of U2′s “Sunday Bloody Sunday.” The track with Bun B and Talib Kweli is a second U2 connection for Munroe: the album from which it comes is called Where the Streets Have No Name. On this track, Munroe apes his own slinking vocals from his “Flashing Lights” cover. He has one upcoming show in New York at SOB’s on July 29th with the Kickdrumz and Diz Gibran.