Even the undead were buzzing about Bon Iver’s omg set at the Hollywood Forever cemetery on Sunday morning. But thankfully it was just the dawn of another day, and not the dead, as the singer/songwriter lulled the audience awake. One particular DJ/producer/Angeleno happened to record a few tunes on his iPhone, then he mixed and mastered them, then put them online. You can download them here, if you missed the morning magic on account of, like, sleeping or being lame or something.
For five years now F-Yeah Fest has served as an end-of-summer showcase of Los Angeles’ best (and worst) talent. This year, organizers expanded their horizons not only by adjusting the name to FYF Fest, but also by adopting a cause and moving the festival outside of Echo Park. Proceeds from ticket sales served to benefit California state parks (many of which face trouble with the recent budget cuts). Economic turmoil aside, hipsters, punks and everyone in between flocked to Los Angeles State Historic Park (you know, the one outside of Chinatown that used to be a corn field) to catch the action.
The ticket this year was diverse and spread out across three separate stages, appropriately named after different types of trees. The Oak stage was the largest, with locals No Age, Adult Swim’s Tim & Eric, and F* Up. Other highlights included an afternoon set from Crystal Antlers, who are gearing up for a tour with The Big Pink in a couple of months, followed by Wavves. Dan Deacon was scheduled right after but cancelled last minute, leaving a forty minute gap between sets. By the end of the night people were going wild for headliners The Black Lips, who seemed reserved, antics-wise, but still kept the festival going until the end.
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It is an odd musical pairing, but it shouldn’t be such an odd cultural match. Amanda Blank and Matt + Kim are both in-your-face artists who pull from alternate sides of the punk rock legacy. Blank is sassy and might punch you in the face to make a point. Matt + Kim are jovial and might punch themselves in the face just for laughs. But as Blank learned last night in Los Angeles at the sold-out El Rey, Matt + Kim’s audience is not naturally hers. As she strutted and gyrated through a strong opening set of material from her new album, I Love You, Blank’s impressive vocal chops and formidable stage presence got a red carpet showcase, but the crowd remained largely indifferent.
This must be somewhat of a shock for Blank, who has been used to jamming with her homies – Spank Rock, Santigold, etc, if only for a track or a guest drop – to venues gone wild. And while the El Rey could barely contain the kids during M+K’s set, Blank barely got a fist pump.
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The second annual HARD Summer music festival was a hype-machine dream come true, with a bill that featured such heavy hitting acts as Chromeo, Tiga, Crookers, and Underworld. What’s a shame though, is that none of these fine acts got to actually play. Whether overselling, over speculating, or just being unorganized is to blame, this year’s event was a complete failure.
The first red flag came when the event opened its doors and attendees came to terms with the fact that some of them would have to sit down in the bleachers of The Forum. Really though, who wants to sit down at an event like this? The floor was packed and every stairwell in each direction was gridlocked with people attempting to reach the main stage. The real trouble began shortly thereafter, as the crowd began to make the jump from upstairs to downstairs, going so far as to risk injury just for the chance to join the growing crowd below. That may be extreme for an event like this, but cut them some slack, the kids just wanted to dance.
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Upon entering the small town of Clifton Park, New York it is hard not to assume that the population is under fifty. Its main venue, Northern Lights, is the only building around for miles, with the exception of a small market and a church. Landing a little over three hours outside of NYC, it wouldn’t be a big surprise to see a miniscule turn out to any event that took place in this town. However, this was not the case with the Yeah Yeah Yeahs. Karen, Nick, and Brian played to a packed house, a crowd made up of giddy fans and those looking for something other to do than watch tumbleweeds (or heads) roll.
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The return of Grace Jones to LA was more than just a performance, it was an event. The Jamaican songstress’ first major gig this side of the US in 20 years, she packed in the crowds at the Hollywood Bowl and put on a show
that was as complex as it was stunning. Local Cambodian-funk collective Dengue Fever kicked off the night on a
strong note, playing a relatively short set, but doing enough to get the still-building crowd going. Their latest release, a collaboration/cover of Donna Summer’s “I Feel Love” with fellow local-darling Inara George has received a great deal of attention, and was respectively well-received at the bowl. Of Montreal followed, playing a set that was fun, lighthearted, and full of surprises. Janelle Monae (right? I was just as surprised as everyone else) joined Kevin Barnes and his group for a handful of songs, including a duet/cover of David Bowie’s “Moonage Daydream,” to which the glam-friendly crowd roared with approval.
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