How many hipster artists can you fit on one track? It’s a question that LA based duo N.A.S.A. seemed hell bent on answering while putting together their 2009 release The Spirit of Apollo. With the album on shelves there are now visuals to match the tunes in the form of the music video for the track “Whachadoin?” which, true to form, features M.I.A., Spank Rock, Santigold and Nick Zinner. The video pulls viewers through the screen of a BlackBerry and down an electro rabbit hole into a world that Dr. Seuss may even find strange. The cast of characters encountered along the way range from candy raver go-go girls to dancing neon cell phones, with the main role filled by a man who looks stuck somewhere between a Daft Punk robot and Power Ranger. It’s a trip to say the least and all of it through a BlackBerry? Who thought being corporate could be so fun.
If you have a few minutes at your computer and want a some nice tunes to accompany your blog reading, or online banking or exotic bird trafficking, take a stroll on over to Kristina Train’s label page where her entire album is streaming for free. Train is a white girl that sings like some of those other white girls who sing like sistas. So yes, comparisons to Duffy are apt (her MySpace cites Duffy’s idol Dusty Springfield as an influence), as are any comparisons to Norah Jones (they’re both on Blue Note and they look related). Also, Train’s Spilt Milk is produced/co-written by Jimmy Hogarth (who worked with Duffy, Adele, KT Tunstall, Estelle) and Eg White (who worked with Duffy, Adele, Sam Sparro, Daniel Merriweather).
It has been five long years since Kings of Convenience’s last album (Riot On An Empty Street), and while we’ve been quelled somewhat by frontman Erlend Øye’s side project, (The Whitest Boy Alive), there’s a definitely thrill about the Norwegian pop outfit’s return. Their new album, Declaration of Dependence, is out October 20 and is being touted by the group as “the most rhythmical pop record ever that features no percussion or drums.” There might be some issues with what is being defined as “percussion,” but we can address that later. Øye says that “when we started out we were afraid of sounding like other artists,” Erlend says. “But now we feel pretty much alone.”
Alone is a bit of an exaggeration. It was on Riot that we first heard Feist outside of the Broken Social Scene box. Now she’s a star. They probably have more friends than ever, and after several years of Øye working with others it will be interesting to see him return home, as it were, to working with Eirik Bøe on what is decidedly an album about two musicians who work well (and perhaps co-dependently) with each other.
The return of Grace Jones to LA was more than just a performance, it was an event. The Jamaican songstress’ first major gig this side of the US in 20 years, she packed in the crowds at the Hollywood Bowl and put on a show
that was as complex as it was stunning. Local Cambodian-funk collective Dengue Fever kicked off the night on a
strong note, playing a relatively short set, but doing enough to get the still-building crowd going. Their latest release, a collaboration/cover of Donna Summer’s “I Feel Love” with fellow local-darling Inara George has received a great deal of attention, and was respectively well-received at the bowl. Of Montreal followed, playing a set that was fun, lighthearted, and full of surprises. Janelle Monae (right? I was just as surprised as everyone else) joined Kevin Barnes and his group for a handful of songs, including a duet/cover of David Bowie’s “Moonage Daydream,” to which the glam-friendly crowd roared with approval.
Remember when you had to buy an entire album? Then came iTunes and you could use those albums like a buffet at Souplantation. Now Apple is working with the four remaining major labels to develop ways to entice people to buy entire albums. Problem with this is, Apple requires all songs from an album be available for individual purchase. A simple change in policy would seem to fix that, no? [RS]
A few weeks back, and with much fanfare, bitchy music blog Buddyhead returned to the LA blogosphere after recovering form financial and social ruin. Already they’re fighting with Marilyn Manson over founder Travis Keller’s comments to the LA Weekly about a party session with Manson. It’s not the most material of beefs, but this is what happens after the parties are over, bros [DS].
The Golden Filter have spun hey into heady disco gold on several tracks and remixes released over the last year or so. They take a more downtempo, space age approach to disco revivalism than some of their peers. In fact, on their remixes of Cut Copy’s “Far Away,” Little Boots’ “New In Town,” and their own “Favourite Things” (featured on the Kitsuné Maison 7 comp), they sound like they’ve dropped some tabs before standing under a strobelight. We love it! In the last year the pair of Stephan and Penelope (no, we don’t do last names here, thank you) have evolved considerably from their first single, “Solid Gold,” and each new release is a little disco dusted treasure. Their DJ set tonight at Avalon in Hollywood for Control won’t disappoint. Free the Robots and the Casual Touch are also on the bill.Get acquainted with their work below, and send an email to ‘ear @ soundbleed.com’ to win a pair of passes to the gig.
In the world of iPhone apps, there are the vainly useless and the useless rip-offs. For one reason or another, Ghostly, the best label from Detroit since Motown, has pulled ahead of the crowd with its new Discovery app. Not only is this little guy a free download, but it gives you access to Ghostly’s [...]
Mew are the band that Trent Reznor said he liked so much it “pisses me off.” The Rez tapped the Danish trio (they used to be a quartet – the bassist is out) to open for him a handful of North American dates and lucky for you who didn’t want to pony up for a [...]