Amy Millan, best known perhaps from her band Stars, releases her second solo album, Masters of the Burial this September through Arts & Crafts. Recorded in the Ontario countryside with Stars, Broken Social Scene and Sarah Harmer producer Martin Davis Kinack, the album is the result of work with Millan’s extensive list of musical friends. There is virtually nothing online or in the ether from this forthcoming collection, but if you’re in Toronto, you can check out a free show with Millan and Gentleman Reg at the Harbourfront Centre on July 25.
The full line-up and schedule for Denver’s Mile High Music Festival on July 18th and 19th has been released, and let’s just say the emphasis should be on the event title’s second word. Tool (performing for the first time in two years) and Denver’s own The Fray headline one day each while Widespread Panic will share top billing on both days of the. Other summer festival mainstays Ben Harper, DeVotchKa, and Guster pepper the line-up along with Incubus, India.Arie, Matisyahu, Jet, and hometown heroes 3Oh!3. Single and two day passes are still available. Full line-up below. Set times, directions and tickets are on at MileHighMusicFestival.com
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As KCRW’s oddly named World Festival continued on Sunday night at the Bowl, Adele and Janelle Monae got schooled in the art of being a legend by the incomparable Chaka Khan. A last minute replacement for the apparently ailing Etta James, Khan easily flexed her still radiant vocal muscle, putting her multi-octave range on display throughout a set that included many of her hits. Opening with “I Feel For You” there was something for everyone as the crowd alternately sang along and even jumped to their feet for closer “I’m Every Woman.” While Khan’s performance not only reminded everyone of how many familiar songs she has recorded over her nearly four decades-long career, it also showed her junior divas how to come prepared and command a crowd. […keep reading…]
It took no time for Diddy to churn out the craptastic collabothon that is “Better On The Other Side,” the MJ-tribute track that features Game, Chris Brown, Boyz II Men, and (probably for gospel gravitas) Marion Winans. Diddy’s spoken word “you were the one who made us realize we could moonwalk,” implies metaphor, but doesn’t really get into it. With other insightful lyrics like “I’m Michael Jackson, you’re Michael Jackson, we all Michael Jackson,” there’s nothing to be gained from this other than perhaps the redemption of Chris Brown, whose chorus, which contains the song’s title, is the best thing about the track. It’s certainly not the name dropping of DJ Skee. Not very tasteful. According to Mashable, the track notched over 100,000 plays in the first day of its release. You can listen/download here.
50 Cent has taken the opportunity of Jackson’s death to compare himself to him (this photo is from his site, not our lab). He’s the King of Rap, in case you didn’t know, and as he opens his track “Where You Are” with a declaration of “I’m number one!” there’s no question of irony. Thankfully, most of the track gives way to an interpolation of a classic Jackson 5 “I Wanna Be Where You Are.” It’s actually a tight jam. […keep reading…]
Teasing the world with just a snippet of his new track on his MySpace, Calvin Harris has announced the release of his second album this week. Ready for the Weekend will feature the title track (you can hear a live version of it here) as well as the monster single “I’m Not Alone.” Of course, this makes two singles in a row that Harris has quoted 90s dance hits in the title. Oh, we’re pretty sure he’s aware. “Ready for the Weekend” features a very 90s anthem vocal on the chorus courtesy of Mary Pearce, a British R&B/soul/house/West End singer who (perhaps coincidentally) has worked with Harris’ idol, Lionel Richie.
Before the album releases and in between summer dates that include a few in Ibiza, Harris will be working on Sophie Ellis-Bextor’s long-awaited fourth album. He already produced one track expected to appear on it, “Off and On,” originally recorded with Róisín Murphy.
It’s Saturday night and Kaskade is standing in front of a crowd of thousands all singing his song as he DJs yet another set at one of the world’s top clubs. It’s a regular occurrence that is still a new phenomenon even to those who have followed his career closely.
“It’s crazy to play a song and have people singing it,” he says. “When I can lower the volume on ‘Angel On My Shoulder’ and have a crowd singing it back to me,” he is always pleasantly surprised. The track opens his latest mix album, The Grand, but also features prominently on his breakthrough artist album from 2008, Strobelite Seduction
With a fanbase like his, not only is Kaskade on the cusp of Tiësto-like stadium status, but he’ll be one of the few American DJs to take it there. This is a far cry from where his career was just four years ago when the man known to his friends as Ryan Raddon was signed to San Francisco house label Om Records, where he had worked before he started making his own music. When he jumped to Ultra Records there was speculation – from the artist himself even – about what exactly he would do next.
“That’s the good part. I have no plan and never really had a plan, so all of this is unexpected to some degree. I work hard and I do what I enjoy. I love making music and I love performing.”
Of course, the flip side of having such a wide audience is that it brings on some unwanted elements – wannabes, haters, hangers on, the like. […keep reading…]